Video games are often made with a very specific purpose. Some are designed to be played all by yourself on a dark stormy night. Others are built to be played with friends either cooperatively or competitively. Ever since streaming became a bigger part of gaming, a new type of game has emerged: one that you are meant to watch. Guts and Glory is one of those games that begs to be spectated as you accidentally eviscerate a man riding his bicycle through a gauntlet of buzz saws and land mines.
Canada always seems to be the goal of post-apocalyptic travelers seeking respite from the assault of the undead. I suppose the reasoning is that it’s cold-enough up there that the zombie hordes won’t be able to cope, but Death Road to Canada offers a much more silly and awesome explanation for this. I won’t discuss this here, you’ll have to make it to the border yourself to find out. Instead, let’s talk about the goofy journey that Death Road to Canada puts you through in this pixel-based brawler.
Crashing down on us in 2014, The Fall was a fascinating adventure game with some admittedly clunky combat. The story mainly consisted of a combat suit with artificial intelligence, named A.R.I.D. searching for medical attention for the passed out human inside of it. In a major twist, stop reading here and go play The Fall if you haven’t already, the suit turned out to be empty the whole time and her whole purpose has been made null. As you might expect, I was eager to see where the story went from there and The Fall Part 2: Unbound does certainly go in some interesting directions.
Video games always seem to involve characters resolving their problems with their fists or guns. Sometimes, is it a smarter choice to use your words? This is the hypothesis that Oh… Sir!! The Insult Simulator and Oh… Sir! The Hollywood Roast seek to answer. Taking a brand new spin on fighting games, these games pit two characters against one another in a battle of words that can only end with one victor.
The mark of a high quality difficult game is when it manages to be incredibly fun as well. Cuphead was quickly on most people’s radar due to the art style which oozes the charm of 1930s cartoons. Playing Cuphead, it’s almost incomprehensible how StudioMDHR was able to so accurately and fluid created the look of this game. Many people have floated the phrase “it’s like playing a cartoon” about games before, but it has never been more true than with Cuphead. The characters are fun and stylish and it has one of the best and most fitting soundtracks of the year. On top of everything else, the game is fun as hell! Each boss takes trial and error, patience and feels amazing every time you beat them. Cuphead certainly deserves the spot as the 5th best game of 2017.
Not often enough does a story in a video game leave you as speechless as Nier: Automata left me when I played it this past year. Starting off as a fairly common “how human are robots” type of tale, it escalates with each ending. Eventually, the places it goes will leave you a quivering pile of personified existential dread that few narrative media forms have been able to match up to this point. Nier: Automata also sports some of the best characters of the year and manages to make good on their arcs more often than not. In a play of classiness, not often seen in huge games like this one, it will even let you buy any of the game’s trophies after you complete the game so you can enjoy it without worrying about completing every last thing. Many of the mechanics in the game can be used in surprisingly creative ways and there are a few side-quests that are just as good as the main story. Nier: Automata definitely deserves the spot as the 6th best game of 2017.
Taking the formula set forth by the original entry and improving on it in nearly every way, The Evil Within 2 is a stellar second entry in this horror-action series. Opening up the environments allows the player to discover the scares it has in store at their own pace. The Evil Within 2 also makes some smart improvements to the combat, making encounters feel more tense and requiring some smart planning to get through. The story is a lot more cohesive this time around and has a clear arc that runs through the game and doesn’t overstay its welcome. The Evil Within 2 evokes the better parts of Resident Evil 4 in many ways and deserves the spot as the 8th best game of 2017.